Colin Greenwood

Colin Charles Greenwood    26-06-1969


The band made it’s debut at the Jericho’s Tavern in their hometown, Oxford a few years later, in 1987. They named themselves On A Friday. Their first demo was made in 1991. A classmate of Thom and Colin, John Butcher brought the tape to Courtyard Studios. The studio was run by two former musicians Bryce Edge and Chris Hufford. Chris Hufford: “The demo had some good tunes but ut was all obviously ripped off mercilessly.” He might have ignored it were it not for the 15th track. “It was a weird looped-up dance thing which was very different. I asked if they had anything else. After about six months John Butcher brought in a another tape with Stop Whispering and What’s that you say on it. These were great songs. Now they had an identity.”

Another tape later, the Manic Hedgehog Demo (named after an Oxford record shop) brought the band to another gig in the Jericho Tavern. In the meantime they’ve already been on the cover of “Curfew”, a magazine based in Oxford. Things went fast. On A Friday were booked for gigs frequently. Various record labels got interested and finally EMI signed the band.

After a show at The Venue they had their first review. Reviewer John Harris: “News of their signing had spread and there was a real sense of expectation.” In the set at the time were “Prove Yourself“, “Thinking About You” and “I Can’t“. Though he submitted a positive review, Harris wasn’t wholly impressed; “Musically they were all over the place. They started with something Rickenbackery that sounded like All Mod Cons-Period Jam, then tey’d flip it with something that sounded like the Pixies.”

The review prompted discussion in the band. On A Friday had been chosen when they were a weekend outfit of jamming schoolboys. Now they had to conceede that the critic had a point: their name was at best, mundane. They decided to swap it for the title of a cod-reggea tune on Talking Heads’ True Stories album, Radio Head.

Sources:

http://www.ateaseweb.com/

http://www.rollogrady.com/

http://judlively.blogspot.com

Style and Songwriting

Among Radiohead members' earliest influences were Queen and Elvis Costello; post-punk acts such as Joy Division and Magazine; and significantly 1980s alternative rock bands such as R.E.M., Pixies, The Smiths and Sonic Youth. By the mid-1990s, Radiohead began to mention an interest in electronic music, especially that of DJ Shadow, which the band cited as an influence on parts of OK Computer. Other influences on the album were Miles Davis and Ennio Morricone, along with 1960s rock groups, such as The Beatles and The Beach Boys. Jonny Greenwood also cited composer Krzysztof Penderecki as an inspiration on the sound of OK Computer. The electronic style of Kid A and Amnesiac was the result of Thom Yorke's admiration for glitch, ambient techno and IDM as exemplified by Warp Records artists such as Autechre and Aphex Twin. The jazz of Charles Mingus, John Coltrane, and Miles Davis, and 1970s Krautrock bands such as Can and Neu!, were other major influences during this period. Jonny Greenwood's interest in 20th century classical music also had a role, as the influence of both Penderecki and composer Olivier Messiaen was apparent; for several songs on OK Computer and later albums, Greenwood has played the ondes Martenot, an early electronic instrument popularised by Messiaen. While working onHail to the Thief, Radiohead put renewed emphasis on guitar rock. The Beatles, The Rolling Stones and particularly Neil Young were reported sources of inspiration to the band during this period. Since beginning to record In Rainbows, Radiohead members have mentioned a variety of rock, electronic, hip hop and experimental musicians as influences, including Björk, Liars, Modeselektor and Spank Rock.

Since their formation Radiohead have, lyrically and musically, been spearheaded by Yorke. However, although Yorke is responsible for writing nearly all the lyrics, songwriting is a collaborative effort, and it has been noted in interviews that all the band members have roles in the process. As a result, all the band's songs are officially credited to "Radiohead". TheKid A/Amnesiac sessions brought about a change in Radiohead's musical style, and an even more radical change in the band's working method. Since the band's shift from standard rock music instrumentation toward an emphasis on electronic sound, band members have had greater flexibility and now regularly switch instruments depending on the particular song requirements. On Kid A and Amnesiac, Yorke played keyboard and bass, while Jonny Greenwood often played ondes Martenot rather than guitar, bassist Colin Greenwood worked on sampling, and O'Brien and Selway branched out to drum machines and digital manipulations, also finding ways to incorporate their primary instruments, guitar and percussion, respectively, into the new sound. The relaxed 2003 recording sessions for Hail to the Thief led to a different dynamic in Radiohead, with Yorke admitting in interviews that "[his] power within the band was absolutely unbalanced and [he] would subvert everybody else's power at all costs. But ... it's actually a lot more healthy now, democracy wise, than it used to be.




Sources:

http://en.wikipedia.org/

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